Gooseberry’s performance last week at The Bowery Ballroom was nothing short of meteoric, marking a key moment for the Brooklyn trio as they celebrated the release of their debut full-length LP, All My Friends Are Cattle. The intimate crowd at the iconic venue mirrored the band’s excitement as Gooseberry delivered a tight, genre-bending set that left no corner of the eclectic influences untouched.

From the moment Asa Daniels, Will Hammond, and Evin Rossington hit the stage, the excitement was palpable. They opened the set with “Start Over,” the final song of their latest LP and an eight-minute sonic journey through alternative-progressive-rock that immediately captivated the room with its intricate instrumentals and sacred storytelling. The song set the tone for the evening, pulling the audience into Gooseberry’s signature blend of ’90s alternative rock, punk, indie, and blues.

As they moved through the setlist, hwich featured a healthy dose of tracks from All My Friends Are Cattle, it became clear why Gooseberry is becoming one of NYC’s most talked-about bands. “Baby Do You?”—a track Daniels described as a “silly punk tune”—proved to be a crowd favorite, its playful and raucous energy echoing through the venue, with fans swaying, head-banging, and some even singing along despite the release being fresh off the press. The song’s infectious chorus had the audience fully engaged, while Rossington’s drumming maintained a relentless pace.

Tracks like “Cherry Blossoms” and “Dying To Meet You” showcased the band’s versatility, effortlessly moving from reflective lyrics and melodic soundscapes to heavier, riff-driven anthems. Gooseberry’s ability to pivot between genres, all while maintaining a cohesive sound, was on full display. Hammond’s basslines tied everything together, offering a melodic foundation that allowed Daniels’ soaring vocals and intricate guitar work to shine.

Perhaps the most memorable moment came with their encore performance of “Golden.” The song’s atmospheric build-up and cathartic release captivated the room, drawing comparisons to prog rock and confessional singer/songwriter fare. Daniels’ emotional delivery, combined with the band’s tight musicianship created a sonic journey that left the audience in awe.

Gooseberry’s live performance not only reflected their growth as a band but also solidified their place in New York’s evolving alt-rock scene. By the time the final chords rang out, the crowd was left buzzing, eagerly anticipating what the band will do next. With a promising LP, a growing fanbase and undeniable chemistry on stage, Gooseberry is undoubtedly a band to watch.

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