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Kenny Mason expands his sound on Pup Pack: 2nd Shift, A Bold New Chapter
Myrath releases latest single, “The Funeral” — New album comes out on March 27
EVERBLOOM introduces their sound with emotionally charged debut single
Oswald’s Revenge follow self-titled album with new “CANCELLED!” cover
TX2 drop new single “Murder Scene” featuring Magnolia Park
$UICIDEBOY$ release “BLOODSWEAT” video from surprise new album Thy Will Be Done
Good Night Moon announce self titled EP, out January 23
Foreigner announce 50th Anniversary Tour beginning February 25
OPINION
HEATED RIVALRY’s extraordinary rise to fame
The quiet reckoning that comes with looking back: “Young Girl” by Jim Eannelli
A pop-punk gut check: “Doesn’t Feel Right” by motionyear.
A quiet orbit around solitude: “Moon” by Bijou
A love story that flickers like city lights: “Jenny” by BETS
Marty Supreme: A cautionary tale
Murph’s top 10 films of 2025
Groover roundup #5: Aaron Bai, iuisEkero, Janiq, Neil Liam, and The Daylight District
Groover roundup #4: Alpaca-In-Chief, DeeBeeRV, Hallucinophonics, Naomi Jane, and Dallas Murrae
Blank Era releases brand new single “Yesterdaze”
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Good Night Moon announce self titled EP, out January 23
SKA legends The Toasters perform in the Borderland
Dexter And The Moonrocks take Stage AE
Black Flag rips apart the Oriental Theatre in Denver
Fire in the Mountains announces third wave of artists for 2026
LaRussell at Cervantes’ Other Side, Denver, CO, 1.6.26
Where sobriety turns memory into a mirror instead of a wound: “Man I Used To Be” by Dax
Tech N9ne proves time still can’t touch him at Denver’s Fillmore
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