Pritesh Walia’s track “Finishing Up” from his album Hopetown is a striking exploration of jazz guitar tradition, blending technical proficiency with emotional depth. As part of his debut album Walia showcases his unique voice as both a jazz guitarist and composer, delivering a clean, neo-mainstream sound in a trio format that includes bassist Chris Worden and drummer Gen Yoshimura. The track serves as a culmination of Walia’s musical journey, representing not only his technical skill but also his ability to convey stories through instrumental music.

“Finishing Up” highlights Walia’s impressive technical command of the guitar, with intricate melodies and harmonies that demonstrate his fluency in the jazz idiom. The trio’s tight cohesion is evident throughout the song, reflecting the live, communicative nature of their recording process. Walia insisted on recording in a studio setting that allowed sight lines between the musicians, and this live energy translates into the music. The group’s interaction feels spontaneous and intuitive, as if they are all locked into the same creative flow, which enhances the improvisational essence of the track.

The song embodies Walia’s fusion of cultural influences, drawing from his New Delhi roots and his immersion in the global jazz scene. His diverse background in both Indian classical music and Western rock, as he mentions his early fascination with bands like ACDC, contributes to the track’s layered complexity. The result is a musical style that feels both rooted in tradition and forward-thinking. The delicate interplay between Worden’s bass and Yoshimura’s drumming provides a rich foundation, allowing Walia’s guitar to take center stage while still maintaining a collaborative spirit.

In terms of composition, “Finishing Up” balances intricate, fast-paced passages with more reflective, contemplative moments. This dynamic range mirrors Walia’s thematic intention of reflecting his life experiences over the past 15 years. Each section of the song seems to tell a different part of that journey, moving seamlessly between intensity and calm, much like the emotional highs and lows that characterize personal growth.

Walia’s performance in “Finishing Up” is also marked by a sense of restraint. While his technical prowess is undeniable, he allows space for the music to breathe, avoiding over-embellishment. This approach creates a sense of maturity in his playing, as he prioritizes emotional expression over mere technical display. His clean guitar tone and subtle phrasing emphasize the song’s emotional narrative, drawing listeners into a reflective, introspective space.

Ultimately, “Finishing Up” stands as a strong example of Walia’s ability to merge his technical skill with his creative vision. The song invites listeners to engage with his journey, offering both a cerebral and emotional experience. It is a testament to Walia’s place within the jazz guitar tradition, while also carving out a distinct path that reflects his unique cultural and musical background. As a closing track on Hopetown, it leaves a lasting impression, signaling the start of a promising musical career.