Marsha Bartenetti captures timeless elegance and emotional depth in ‘I Could Get Used To This’—A mesmerizing prelude to her 2025 EP

Marsha Bartenetti’s new single, “I Could Get Used To This (Bumpin’),” offers a sophisticated blend of smooth jazz, soulful delivery, and heartfelt interpretation, setting the stage for her upcoming 2025 EP. With lyrics written by Mark Winkler and Shelley Nyman paired with Wes Montgomery’s timeless composition, the track carries an emotional and nostalgic weight while showcasing Bartenetti’s ability to connect deeply with her audience.

The song opens with an elegant and inviting interplay between Kevin Madill’s piano and Pat Bergeson’s warm guitar lines, recorded at Ocean Way Studios in Nashville. The rhythm section, led by Marcus Finnie on drums and Danny O’Lannerghty on bass, creates a rich foundation of groove that complements the track’s smooth jazz roots.

Overdubs recorded in Los Angeles add an extra layer of texture. Brian Scanlon’s saxophone introduced a sultry, melodic element, while Stephan Oberhoff’s Hammond B3 organ and flugelhorn samples evoke a sense of timelessness. These instrumental layers create an inviting and lush sonic landscape that perfectly frames Bartenetti’s vocals.

Marsha Bartenetti’s vocal performance is the centerpiece of the track. Her voice, smooth and expressive, brings life to the lyrics with emotional authenticity and nuance. She effortlessly shifts between tender phrasing and commanding presence, drawing listeners into the story. The lyrics, penned by Winkler and Nyman, weave a narrative of newfound joy and optimism, reflecting on the excitement of embracing a fulfilling connection.

One of the most compelling aspects of Bartenetti’s vocal delivery is her ability to express depth and subtlety. Every word feels purposeful, embodying the theme of contentment and possibility suggested by the song’s title.

The emotional resonance of “I Could Get Used To This” lies in its universal relatability. The song captures the essence of feeling comfortable and uplifted by someone or something new, a sentiment that resonates deeply with audiences across generations. Bartenetti’s interpretation amplifies this, turning the track into more than just a jazz piece—it becomes an intimate conversation.

The production, co-led by Donny Marrow and Stephan Oberhoff, is polished and balanced, showcasing each instrument without overpowering the vocals. The combination of Nashville’s live feel and Los Angeles’ layered refinements results in a seamless blend of organic warmth and modern sophistication.

Marsha Bartenetti’s rendition of “I Could Get Used To This” is a testament to her artistry and her ability to bridge the gap between technical mastery and emotional connection. The track’s jazz foundation, combined with her interpretive storytelling, makes it a standout piece that promises to captivate fans and newcomers alike.

As the first release from her upcoming EP, the single sets a high bar for what’s to come, cementing Bartenetti’s place as a seasoned artist with a timeless appeal. Whether you’re a jazz enthusiast or someone seeking music with depth and elegance, this song is a must-listen.

Fans of smooth jazz, vocal jazz, and heartfelt performances will find “I Could Get Used To This” a compelling addition to their playlists. With its expertly crafted arrangement and Bartenetti’s emotive delivery, the track invites multiple listens and leaves listeners eagerly anticipating her 2025 EP.

iframe title=”I COULD GET USED TO THIS – LIVE AT VIBRATO” width=”500″ height=”281″ src=”https://www.youtube.com/embed/pCnTkhZOYbo?feature=oembed” frameborder=”0″ allow=”accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share” referrerpolicy=”strict-origin-when-cross-origin” allowfullscreen>

Leave a Reply