photos courtesy of Holly Van Ness
CHECK OUT OUR INTERVIEW WITH COVEY AND M.A.G.S IN OUR SECOND DIGITAL MAGAZINE ISSUE.
On May 3, in the close, cavernous intimacy of Soho Live, a crowd pressed into the present moment – phones lowered, hearts widened – for a double-billed evening of indie disquiet and punk soul. Covey, the folk-punk troubadour of the haunted and the tender, and M.A.G.S, the genre-fluid dynamo pulsing with neon blood, delivered sets that didn’t just perform; they remembered.
Covey opened the evening like a séance in slow motion. Tom Freeman, ever the reluctant frontman and reluctant ghost, shuffled onstage with a smile that felt equal parts mischief and melancholy. With his guitar held like a memory, he launched into a set that was as raw as it was unfiltered – not just musically, but emotionally. Songs like “Nights Terrors” and “Sam Jam” arrived like letters from some forgotten part of the soul. His vocie cracked and soared in all the right places – and especially the wrong ones, which somehow felt more right.
Between songs, he spun surreal, self-deprecating banter – about trauma, his family, and the strange comedy of being alive. And yet, even in the laughter, there was a reverence in the room. Covey didn’t just play his songs; he became them.
Then came M.A.G.S, who shifted the night from introspection into ignition. Where Covey whispered, M.A.G.S roared – but never without heart and soul. His performance was sweat-soaked, stylist, and surgical, blending alt-rock, funk, and grit with ease. He played like someone on the edge of reinvention, bending the borders of genre like neon through glass. His setlist belted like a summer you forgot you survived, turning the tiny venue into a pressure cooker of rhythm and catharsis. The crowd moved – not unison, but in communion.
What made the night special wasn’t just the music – it was alchemy of contrast. Covey’s set carved you open, M.A.G.S’s stitched you up and left you dancing into the streets of Soho when the lights faded.
Covey and M.A.G.S show at Soho Live was a study in emotional opposites – folk-punk fragility followed by indie-electric fire. But both artists, in their own way, made the same quiet promise to the audience: you are not alone in your strangeness. And under soft blue lights, behind velvet curtains and creaking floorboards, that promise felt not only heard; it felt kept.
Enter to win signed polaroids from Covey and M.A.G.S in our second issue!




























COVEY | WEBSITE | INSTAGRAM | FACEBOOK | TWITTER | YOUTUBE



























Leave a Reply