Cutting my fingers off, stitching my memories back together: Turnover hums Peripheral Vision at The Paramount in Huntington

Some albums aren’t just listened to – they are lived.

Turnover‘s Peripheral Vision is one of those rare records that exists like a season in your life, a dreamy, sunset-filtered coming-of-age that lives between guitar reverb and lyrical introspection. On the 20-year anniversary tour, the band closed a chapter in that sonic diary at The Paramount in Huntington, New York, and it was nothing short of spellbinding.

The venue, draped in soft stage lighting, seemed to breathe with the same haze as the record. From the moment the first shimmering notes of “Cutting My Fingers Off” rang out, it felt as though the air had thickened with memory. The crowd moved slowly, reverently – as if collectively underwater – drawn forward by the undertow of nostalgia.

For me, this night was more than just another show. It was the culmination of a decade-long ache to hear Peripheral Vision live. I first discovered the album in middle school, eyes heavy on the 6 a.m. school bus, earbuds lodged like lifelines in my ears. That rain-laden, Fall morning quiet became sacred space – and Turnover’s swirling soundscape was the anthem of my inner world.

“Cutting My Fingers Off” was the first knife in the heart – painful, poetic, beautiful. Each track afterward flowed like an unruly river into the next, drenching me in soundscapes I hadn’t realized I’d been treading desperately for. “Dizzy on the Comedown” was the song I clung to in the whirl of adolescence, and “Hello Euphoria” felt like a whispered promise that beauty was always just around the corner.

To finally stand in a room where those very songs hung in the air like incense was overwhelming. The performance was flawless, but it wasn’t perfection I had come for – it was feeling. Turnover delivered it in waves.

The band, older now, more grounded but no less emotive, seemed equally aware of the gravity. Their stage presence was subdued, almost meditative, as if they too were visiting ghosts of their former selves. The crowd knew every word, but rarely shouted – they sang, swayed, smiled through tears and buried recollections.

Time moved differently in The Paramount this past Saturday. Minutes felt like memories. Songs collapsed into feelings, then reassembled as new ones.

This tour wasn’t just a celebration of Peripheral Vision‘s two-decade legacy. It was a reminder of music’s enduring ability to shape us, soundtrack us, and wait patiently in our hearts until we’re ready to return.

Turnover didn’t just perform an album – they opened a time capsule. And for a brief, breathtaking hour, I stepped inside and lived again.

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