On February 16, MIKA made his grand return to the Accor Arena for the tour of his new album Hyperlove, an album 100% in English, exploring the modern world, everyday life, and love in all its forms.

The entrance was spectacular. MIKA appeared inside a huge mechanical wheel, evoking the world of Charlie Chaplin and his film Modern Times. We were immediately plunged into a silent-movie setting, somewhere between industrial poetry and retro-futuristic aesthetics.

He started running inside the wheel as it slowly descended toward the stage. Then, in one perfectly timed moment, he made his full appearance: black suit, simple yet truly elegant — it’s pure MIKA DNA.

The show opened with “Modern Times,” a particularly fitting choice to introduce both the album and the visual universe of the set. The parallel between the song and the staging worked instantly.

For this tour, MIKA is backed by a full band: backing vocalists in glitter trousers, a pianist, bassist, guitarist, and drummer — a complete formation that gives the show both pop energy and a real live performance dimension. The audience discovers a brand-new album and can appreciate every detail, every arrangement.

The concert starts strong. He followed with “Relax, Take It Easy,” truly launching the night. From the very first notes, the crowd began jumping and dancing.

Mika turned his life-size set into a real playground. He moved around, climbed, and explored the space. Several times, he perched high above on a mechanical structure, dominating the stage.

He was visible from everywhere — a real asset in a venue of this size — even from the highest seats. This visual proximity showed that he didn’t just want to give a concert; we were witnessing a carefully crafted spectacle, with total immersion into his universe.

MIKA overflowed with energy. He was a true showman, fully inhabited by the stage, constantly moving and interacting with his audience.

The concert moved between Hyperlove tracks and iconic songs such as “We Are Golden” and “Big Girl (You Are Beautiful).” During this song, MIKA went into the audience, walking through the stands and the pit, which he playfully called the “Enfants Terribles of Hell,” while the stands represented Paradise.

Outfit changes also marked the evening. At one point, he appeared in a pink suit and laughed, saying, “You thought I had forgotten pink?” Later, he returned in a green sequined outfit, fully embracing the colorful aesthetic that defines his artistic identity.

Hyperlove, he explained, is an album about love — love in all its forms. On stage, MIKA shared that he explored deeper, more personal sides of himself. He even wrote a song for his dog.

The idea came after asking himself what form of love he had not yet explored. He had recently said in an interview that we do not talk enough about the love we have for our animals.

On “Spinning Out,” MIKA sang inside a wheel that turned endlessly, reinforcing the idea of constant movement.

We should also mention the dedication of MIKA’s fans, who filled the Accor Arena with colorful balloons during “Happy Ending,” surprising the singer. Moved by the sight, he said he had “the most beautiful view in Paris.”

The finale was explosive: “Lollipop,” started almost whispered, then “Grace Kelly,” before a rainbow rose from the piano, followed by “Elle Me Dit” and “Love Today” to close in full celebration.

The scenography was incredible: a giant megaphone/cannon with “Hyperlove” written in bold letters appeared on stage. Then, a rain of confetti filled the Accor Arena.

On February 16, MIKA once again proved he was made for the stage. Between overflowing energy, spectacular staging, and more intimate moments around Hyperlove, he delivered a generous and sincere show — a colorful, vibrant concert that brings all generations together.

Photos by @live_shots_j from the crowd