The Concert Chronicles
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GROOVER SPOTLIGHT: DUPLEXITY, DAM CPH, JOSHUA JAMISON, RED MOON YARD, and PAULUS POTTERS
“LABYRINTH” BY DUPLEXITY “Labyrinth” by DUPLEXITY feels like being dropped into the center of an emotional…
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A slow-burn instrumental: “Flying Pyramids” by ENZO
“Flying Pyramids” moves with the quiet confidence of a track that isn’t trying to rush anywhere.…
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A genre-blending ballad: “Breakfast” by NJ Gosh McCoy
“Breakfast” feels less like a traditional song and more like a slow emotional ascent. NJ Gosh…
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A forward-moving house pulse: “Here I Go” by Swetaly
“Here I Go” captures a moment of motion — not frantic, not rushed, but deliberate. Swetaly…
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A burst of neon punk punch: “Aurora Borealis” by Adams Audacity
“Aurora Borealis” arrives as a fast-moving, high-voltage statement from Adams Audacity, carrying the restless energy of…
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A soft invitation wrapped in shimmer: “Be My Friend” by Annie Liang
“Be My Friend” feels like a quiet confession delivered with a smile. Annie Liang doesn’t rush…
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The quiet reckoning that comes with looking back: “Young Girl” by Jim Eannelli
“Young Girl” unfolds like a recollection you didn’t realize you’d been carrying for years. Rather than…
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A pop-punk gut check: “Doesn’t Feel Right” by motionyear.
“Doesn’t Feel Right” captures the uneasy pause between denial and acceptance, the point where something hasn’t…
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A quiet orbit around solitude: “Moon” by Bijou
“Moon” by Bijou unfolds like a solitary walk taken after midnight, when the world feels stripped…
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A love story that flickers like city lights: “Jenny” by BETS
“Jenny” by BETS lives in the in-between. Between cities, between people, between certainty and longing. It…
