Columns / Essays
Opinion
Sharp takes, cultural notes, and the records still rattling around in our heads.
Vol. 06 / Opinion
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Pick Up Goliath’s “Empire of Circuits” Builds a Crushing Hymn to Control and Rebellion
“Empire of Circuits” is a cathedral of noise, a mechanical hymn to submission, rebellion, and the ghosts of autonomy. It feels less like just a song and more like a warning carved in distortion. Pick Up Goliath transforms the narrative into pure sonic architecture: intricate, punishing, and emotionally devastating. It’s a confrontation with control itself,…
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Filed from the front row
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Marty Supreme is the American Dream
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A cinematic rush: “An Exciting Story” by Sergey Khomenko
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A burst of sunlight through distortion: “After A Long Summernight” by Chosen Undead
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A shout-along farewell: “A Last Goodbye” by Never Enough
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A soft unraveling of love, expectation, and the roles we’re taught to audition for: “A Good Wife” by Natasha Kate
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A quiet revolt staged from within the song itself: “Mutiny” by Shriving Drawers
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A heavy limbo where destiny, distortion, and doubt collide: “MIDHEAVEN” by Friendship Commanders
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A quiet room, a single piano, and the sound of a mind thinking out loud: “Thoughts 3” by Anton Mikhailov
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Where heavy guitars meet the quiet realization that some things can’t be undone: “As You Were” by Lift The Curse