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  • Michigander’s self-titled debut: A powerful, optimistic journey

  • The Vapors make a triumphant return with new album Wasp In A Jar

  • SharpTone Records signs Psycho-Frame: A new era for deathcore begins

  • GHØSTKID announces 2025 east coast U.S. tour with HAWK and Crucifiction

  • From Carlsbad to Center Stage: Slow Joy’s Esteban Flores redefines indie rock with heart and soul

  • Jonathan Evergreen’s “Fitz & Holloway:” A masterful blend of nostalgia, storytelling, and atmospheric soundscapes

  • Nico Rives’ ‘Sophisme’ delivers a raw, blues-inspired critique of Populism and societal manipulation

  • Steven Pirois’ ‘The Power of Low Self-Esteem’ unpacks the paradox of insecurity driving success on Shadow Gains



THE VAULT



  • The Concert Chronicles

    Jonny Akamu Releases “Dark Heart”

  • Sabrina Amoriello

    Dear friend, Dayglow is running the world!!!

  • The Concert Chronicles

    Nothing Like Robots gotchu with a feel-good anthem hinting at dark themes, “i gotchu” is a multifaceted experience

  • Richard Williams

    Lighthouse tour, new singles with Duff McKagan

  • Anthony Joseph

    Interview with Earthburner | Anthony Joseph x The Concert Chronicles

  • The Concert Chronicles

    Marina Hernandez Releases Debut Single “Nothing Makes Sense in Nashville”

  • Molly Martling

    Kylie Minogue announces North American dates for 2025 Tension tour

  • Richard Williams

    DED are back with new single “Rockstar”

  • Fallon O’Neill

    Versus Me releases electrifying new single “Better Off Alone”

Previous Page Next Page
  • Michigander’s self-titled debut: A powerful, optimistic journey

  • The Vapors make a triumphant return with new album Wasp In A Jar

  • SharpTone Records signs Psycho-Frame: A new era for deathcore begins

  • GHØSTKID announces 2025 east coast U.S. tour with HAWK and Crucifiction

  • From Carlsbad to Center Stage: Slow Joy’s Esteban Flores redefines indie rock with heart and soul

  • Jonathan Evergreen’s “Fitz & Holloway:” A masterful blend of nostalgia, storytelling, and atmospheric soundscapes

  • Nico Rives’ ‘Sophisme’ delivers a raw, blues-inspired critique of Populism and societal manipulation

  • Steven Pirois’ ‘The Power of Low Self-Esteem’ unpacks the paradox of insecurity driving success on Shadow Gains



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