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  • Phillip Phillips returns with brand new EP “Let’s Go Far: Vol. 1,” out September 4

  • Mark Ambor unveils new song “These Are the Days” and video

  • Dial Up Festival is bringing back Y2K era

  • Checked off weekend two of Summerfest, let’s do this one last time this weekend!

  • My Guy Sam Smith

    Sam Smith announces new album “Hazel Eyes” out August 21 via Capitol Records

  • Behind The Lines

    History lives on: “Behind The Lines” premieres at the 9/11 Memorial and Museum

  • The Pretty Reckless

    The Pretty Reckless ‘DEAR GOD’ album and tour released

  • The Garden

    The Garden announces new album ‘Bootleg’ and North American Tour



OPINION



  • Sandra Sutter Releases “Just Like the Moon”

  • Terje Gravdal Releases “Apple Cider Country”

  • “Psycheatrick” by Keith: A hallucinatory dispatch from the margins of the mind

  • A crushing hymn of doubt, suffering, and the desperation for deliverance: “FMS” by Somnolence

  • E-ZINE ISSUE 2: COVEY

  • With “Cover My Eyes” Anna Eclipse is untying the blindfold and revealing a new era

  • Am I Blocking the View of the Person Behind Me?

  • “Where I Might Land” by Jake Gray: A soulful road song for the weary and the willing

  • “Big Fan” by Jeff’s Friend Jack: A snarling post-punk rebuttal to performative rage and digital noise

  • “BANG BANG!” by CJ Penn & Blaiddz: A modern western romance with country grit, electro edge, and pop sensibility

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  • Filter plays sold out show in Columbus, Ohio

  • Styx

    El Paso was blessed to have the legendary Styx come to their city

  • Dark Divine takes Deep Ellum

  • Hurry up Moontower, it’s time to play Columbus

  • The Happy Fits

    The Happy Fits bring the Lovesick Tour to Milwaukee

  • Crowbar

    Crowbar pries open the doors to the Rockhouse with a killer show

  • Volumes

    Volumes’ “Mirror Touch” tour finds a wonderful finish in Las Vegas

  • Ari Abdul and Ella Boh turn Le Trabendo in Paris into an intense alt-pop storm



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