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  • Ruel

    Ruel releases “Hate Myself” with music video

  • Chad King performs “Golden Door” on Live with Kelly and Mark

  • Fetty Wap releases “I Remember” a single representing personal growth

  • Daniel Seavey

    Daniel Seavey returns with new single “Time to Time (Annie)”

  • Sarah McLachlan

    Legendary Sarah McLachlan releases new single ahead of summer tour

  • Ahva shares “Trapped in Freedom” ahead of upcoming album ‘Clean Your Soul’

  • We Might Die talk “Shit Cycle,” DIY touring, and building a space for release

  • Maisie Peters and Julia Michaels reunite on Kingmaker



OPINION



  • Jàlâl’s “White Noise Room:” A haunting exploration of modern life’s chaotic serenity

  • XOXO’s “Better”: A captivating fusion of future bass and melodic dubstep with emotional depth

  • JD Kusharik’s “Leaving After Midnight”: A masterful blend of storytelling and Blues-Rock tradition

  • Fonoptikon releases “Liquid Skies” giving nostalgic summer vibes!

  • Music photography hardships for women

  • Gael Rakotondrabe releases single “Reckoner”

  • Diya Shanmugaraj releases newest single “Blow The Blue Away”

  • If You Love Your Cats More Than Men; Listen to “Cats Over Men”

  • Music producer Curtis/Curt Martin circulates around social media For predatory behavior and scamming of musicians

  • “The Straw” by ENDER: A raw and powerful metalcore anthem of betrayal and resilience

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  • Show review: The Acacia Strain in Portland

  • KenTheMan rocks Fort Lauderdale on ‘Kinda Famous’ tour

  • Hard Summer 2025

  • Something Corporate, Jack’s Mannequin, and Andrew McMahon in the Wilderness present: Three Pianos (show review)

  • Katy Perry turns TD Garden into a pop spectacle eight years in the making

  • Excision shook the earth itself at Fiddlers Green 8.1.2025

  • It feels like a comeback, even if Ripe never left

  • The Cosmic Selector Tour: A night with Lord Huron at Boston’s MGM Music Hall



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