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Kenny Mason expands his sound on ‘Pup Pack: 2nd Shift,’ a bold new chapter
Myrath releases latest single, “The Funeral” — New album comes out on March 27
EVERBLOOM introduces their sound with emotionally charged debut single
Oswald’s Revenge follows self-titled album with new “CANCELLED!” cover
TX2 drops new single “Murder Scene” featuring Magnolia Park
$UICIDEBOY$ release “BLOODSWEAT” video from surprise new album ‘Thy Will Be Done’
Good Night Moon announces self titled EP, out January 23
Foreigner announces 50th Anniversary Tour beginning February 25
OPINION
Olai releases “Every Cloud Has A Silver Lining”
A bleeding-edge alt-pop breakthrough from a bold new voice: “It’s Gone, He’s Gone” by Chayne
“Even If I Pray” by Queen Bitch: An explosive grunge reckoning fueled by grit, grief, and defiance
“18” by RANI NIZAR: A raw, coming-of-age reflection wrapped in an emo-ambient melancholy
Ben Zuniga and the Ben Zuniga Trio
Lorde explores gender and rebirth through “Man of the Year”
SWANFEST 2025 – Chicago’s kickoff to a hardcore summer
“Listen” by Elevator Operator: A lush, uplifting indie rock anthem rooted in self-trust and inner awareness
“Innocence” by Celtic Harper: A minimalist meditation on vulnerability, memory, and emotional clarity
A shimmering synth-pop anthem about presence, perspective, and the power of the moment: “Lost In Time” by Attaboy
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Indigo De Souza and Mothe @ Webster Hall
Between Friends know how to JAM!
When We Were Young 2025 proves emo is still alive and well
An unforgettable night of metal
The sun doesn’t rise on just masks and mayhem
Phoenix pined for Matt Maltese the whole night
Catie Turner live at Trans Pecos in Ridgewood, Queens
Saliva closes high-power U.S. tour with Earshot + The Founder + LYLVC
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