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Crowbar pries open the doors to the Rockhouse with a killer show
Volumes’ “Mirror Touch” tour finds a wonderful finish in Las Vegas
Ari Abdul and Ella Boh turn Le Trabendo in Paris into an intense alt-pop storm
311 celebrates 311 Day with 2027 cruise and vault series launch
We Might Die calls out toxic cycles on new single “Shit Cycle”
X Games launches new era with first ever MoonPay League draft in Los Angeles
Great American Ghost releases ‘The Tragedy of the Commons (Reconstructed)’ in a digital-only deluxe version featuring 19 tracks and visualizer for “Hymn of Decay”
Helloween is celebrating 40 years in North America this April
OPINION
“18” by RANI NIZAR: A raw, coming-of-age reflection wrapped in an emo-ambient melancholy
Ben Zuniga and the Ben Zuniga Trio
Lorde explores gender and rebirth through “Man of the Year”
SWANFEST 2025 – Chicago’s kickoff to a hardcore summer
“Listen” by Elevator Operator: A lush, uplifting indie rock anthem rooted in self-trust and inner awareness
“Innocence” by Celtic Harper: A minimalist meditation on vulnerability, memory, and emotional clarity
A shimmering synth-pop anthem about presence, perspective, and the power of the moment: “Lost In Time” by Attaboy
N3WYRKLA Releases “ADD IT UP”
Sandra Mae Lux Releases “Everyone Else Knew”
Rekha’s Piano Releases “Moonlight Sonata Op. 27, No. 2 (1st Movement)”
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“Back to Life” with Shawn Desman at Orpheum Theatre
King Princess – Girl Violence Tour
The Prowler Tour: Waterparks at Starland Ballroom
Sevendust delivers an intimate acoustic night at Stage AE
Sydney Rose delivers a rising star moment in Boston
Beth McCarthy brings The Hot & Stupid Tour to Sheffield
Death to All Spiritual Healing Tour comes through the Desert
Highasakite takes the Testament tour to Bergen
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