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  • SKA legends The Toasters perform in the Borderland

  • Murals and Thomas Erak & The Ouroboros announce debut co-headlining tour

  • Capillary releases debut album ‘In Remembrance’ on 51st State Records

  • Tinsel, talent & Trixie Mattel

  • The Cribs

    The Cribs close the chapter on ‘Selling A Vibe’ with new single “Never The Same”

  • Dexter and The Moonrocks

    Dexter And The Moonrocks take Stage AE

  • Black Flag rips apart the Oriental Theatre in Denver

  • Laughing Hyenas

    Laughing Hyenas’ ferocious live legacy captured on new Third Man Records anthology



OPINION



  • N3WYRKLA Releases “ADD IT UP”

  • Sandra Mae Lux Releases “Everyone Else Knew”

  • Rekha’s Piano Releases “Moonlight Sonata Op. 27, No. 2 (1st Movement)”

  • Gabrielle Manna Releases “Curse Your Name”

  • The Lowcocks Releases “The Forgotten” to express anger towards detention centers

  • BentLuck Releases “ghosted” for those who support the DIY music scene!

  • Edward Cross Releases “Bloom”

  • Una Lengua Infinita Releases Powerful Single “Tereza´s Theme”

  • “Niagara Falls, 1969” by WONDERLICK: A meditative, melodic ode to human power, absurdity, and the strange beauty of control

  • “I Hate This Song” by Goddamn Wolves: A defiantly catchy anthem that bites the hand while shaking it

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  • Kitty Craft plays a sold-out show in Cambridge, Massachusetts

  • Alice Cooper and Judas Priest storm the deserts of New Mexico

  • Elliott Skinner’s live at Sleepwalk NYC: the importance of connection in big cities

  • Corrosion of Conformity takes a side trip to El Paso from their current tour

  • Justice x KAYTRANADA bring their Fall ’25 tour to Oakland Arena

  • ’90s bands ignite a sold out crowd

  • Sydney Rose

    Sydney Rose at La Bellevilloise in Paris on October 22: a night of tears, warmth, and connection

  • Why I love my life: A tribute to Jasno and performing live music



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