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  • A memory dissolving on the dancefloor: “Fading Memory” by DeeBeeRV

  • Yo Gabba Gabba! gets the holidays moving with ‘A Very Awesome Yo Gabba Gabba! Christmas!’

  • New Found Glory announces Up Up Down Down Tour with Yellowcard and Plain White T’s

  • Ken Carson releases a brand-new single entitled “The Acronym” featuring Destroy Lonely

  • War On Women announces Time Under Tension 2026 Tour!

  • Acclaimed singer-songwriter Jenna Nicholls shares official music video for “Holy Moses”

  • Tech N9ne proves time still can’t touch him at Denver’s Fillmore

  • Capturing concerts on film



OPINION



  • Stephen Wheeler Releases “Castles In The Sand” for those who struggle with experiencing isolation

  • Rudi Claase Releases Single “One Minute”

  • A high-octane anthem of lust, conflict, and catharsis: “Post Sex Blues” by Dust Biters

  • A playful, gritty celebration of moving on: “Not Your Wife” by Madison Perrott

  • A bold, unapologetic anthem for imperfect women: “Not Demure” by Catherine Jeanne-D’Arc

  • A bold anthem of self-discovery and inner struggle: “Always You” by Bobby Loe

  • Blending indie rock and folk with grit and energy: “Starlight” by The Tumblers

  • DOSE Releases “FREELANCE”

  • Hidden Youth Releases Debut Single “Vignette”

  • Agniy Releases Immersive Single “Sila L?sa”

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  • Haiden Henderson

    Entretien avec Haiden Henderson

  • Big Wild returns to Massachusetts on his 2025 Wild Child Tour

  • Concert review: Mac Sabbath at Aladdin Theater – 9/12/2025

  • Wardruna teleports their audience in Portland

  • La Dispute releases ‘No One Was Driving The Car’ and debuts their tour in Detroit, Michigan

  • Foxing, Taking Back Sunday, and Coheed and Cambria ignite Red Rocks

  • The inaugural Bayzara Festival

  • Alabama Shakes bring a triumphant return to Boston



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