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  • AASB’s “Thailand Freestyle”: A new wave in hip-hop

  • Tereza’s Strike: Unveiling emotion through instrumental music

  • COMMOTION: Blending rock, hip-hop, and R&B for emotional resonance

  • The Frights

    The Frights take over Chicago: Billy Joel Jr, Remo Drive, and The Frights

  • DEATHPIXIE

    DEATHPIXIE opens the gates of ASYLUM with her debut EP

  • deadmau5

    deadmau5 returns to Red Rocks and brings a new monster with him

  • Album review- ‘EVERYONE’S A STAR!’ by 5 Seconds of Summer

  • Sydney Rose talks ‘The Holiday,’ touring, and turning vulnerability into strength



OPINION



  • Bisko Releases Remastered Version of “Cherry”

  • Hawaiian Pistoleros Releases “crazy shaky dizzy world”

  • Shane.MOV Releases His Newest Single “Habits (Like Glue)

  • Keith Hanshaw Releases “It’s ok, I’m Not Even Here”

  • Leopoldo Pajantoy Releases “Breath Of Life”

  • Harvi Sing Releases a Summer Vibe Single “Summer Sky”

  • RE-ACT Releases Progressive House Single “Enlightenment”

  • Eve Gallagher Releases New Single “You Cared”

  • Monika Ryan Releases Jazz Single “Let’s Get Away”

  • “Who Will Love Me?” a Electronic Single Released By Ultramassive

←Previous Page Next Page→
  • Tanner Dane delivers a soul-touching performance (show review)

  • Pierce The Veil is eternal: I Can’t Hear You tour review

  • billie’s first Paris show on May 27 is one to remember

  • Sea Star Festival returns to Umag, Croatia

  • Foxy Shazam’s Rockin’ Rolla Coast Tour takes over Purgatory at the Masquerade

  • E-ZINE ISSUE 2: COVEY

  • Magpies in a rainy city: Peach Pit drench New York City in chewed bubblegum pop

  • Milwaukee Metal Fest 2025: A relentless weekend of riffs, community, and chaos



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