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  • Peter Matthew Bauer unveils standalone single “Gold Paint for Blue Skies”

  • Extreme technical death metallers Archspire announce the Long Roads Big Loads tour with special guests Undeath, Crown Magnetar and Mutilation Barbecue

  • Rising rockstar Austen Starr shares new single “Read Your Mind”

  • Modest Mouse announces two special sets on inaugural “Ice Cream Floats” cruise

  • Slow Crush is heading out on a spring U.S. headline tour

  • Emerging artist kailnoa and Wasapok Angleur collab on “scraped,” an alt pop single, exploring themes of desperation and loneliness

  • Wormy shares new single & video “Cocaine Bear” ahead of Shark River

  • GOLF WANG announces Marty Supreme capsule collection



OPINION



  • XOXO’s “Better”: A captivating fusion of future bass and melodic dubstep with emotional depth

  • JD Kusharik’s “Leaving After Midnight”: A masterful blend of storytelling and Blues-Rock tradition

  • Fonoptikon releases “Liquid Skies” giving nostalgic summer vibes!

  • Music photography hardships for women

  • Gael Rakotondrabe releases single “Reckoner”

  • Diya Shanmugaraj releases newest single “Blow The Blue Away”

  • If You Love Your Cats More Than Men; Listen to “Cats Over Men”

  • Music producer Curtis/Curt Martin circulates around social media For predatory behavior and scamming of musicians

  • “The Straw” by ENDER: A raw and powerful metalcore anthem of betrayal and resilience

  • The Summer of Girl Rock: A Field Guide

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  • I ‘Set My P*ssy Free’ at the NOBRO concert and I liked it

  • Phoneboy brought the noise, and Boston loved it

  • Sunflower Bean and GIFT deliver a psychedelic one-two punch in PDX

  • Buick Audra comes home to herself at The Basement

  • The Weeknd at Gillette Stadium: A night where the production is the star, too

  • Good Terms comes to Raleigh, NC!

  • Valé: Sunlit nostalgia and Latin pop power on the rise

  • Malcolm Todd rocks out at The Regency Ballroom



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