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  • Meet Me At The Altar pops off with new EP, ‘Worried Sick’

  • FKA twigs announces the Body High Tour with support from Tokischa, Eartheater, Yves Tumor, and Brutalismus 3000

  • Des Rocs announces 2026 headlining tour!

  • PVRIS celebrates ten years of ‘White Noise’ on anniversary tour

  • Waterparks announces UK/EU leg of ‘The Prowler Tour’

  • Cattle Decapitation levels Summit Music Hall with a brutal lesson in modern death metal

  • Divorce performs a headline show at Academy 2 in Manchester

  • NEW YEAR’S EVE LIVE: NASHVILLE’S BIG BASH!



OPINION



  • “Don’t Wait For Me” by 5ive Star: An uplifting anthem of dreams and duality

  • “Country Girl in Paris” by Frencha: A romantic fusion of American country and Parisian elegance

  • Single review: Forest Blakk “Love You ‘Til Death”

  • Tyron Benoit shines with heartfelt new single “Lucky One,” blending gratitude and Americana for a promising 2025

  • Shelby Lee Lowe kicks off 2025 with “Honky Tonkaholic” – A high-energy anthem celebrating honky-tonk life and outlaw country roots

  • Nannusz’s “Rivers” flows with emotion, celebrating friendship through lush indie pop soundscapes

  • Mzzltvv Releases a soft and vibrant track “Dry”

  • Nightfeeda Releases a single for those who need a fresh start “it’s a new dawn it’s a new day”

  • Tora Woloshin Releases High Energy Track “True Legacy” Remix

  • Silver Lining Releases Newest Single “The Midnight Hour”

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  • Nxdia at Leeds Festival: BBC Introducing headliner talks Conan Gray, pre-show rituals & more

  • It’s a nice day for a Billy Idol show at Pine Knob Music Theater

  • Fontaines D.C: Bringing a new voice to punk and alternative rock

  • Tennis: The (bittersweet) Farewell Tour

  • F-A-M-I-L-Y! F-A-M-I-L-Y!

  • ENNA talks music, Julia Michaels, and songwriting in exclusive Leeds Festival Interview

  • Sofia Isella talks festival vibes and songwriting at Leeds Festival 2025

  • moony serves (cont.) and takes Columbus for a ride at Spacebar



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