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  • Styx

    Chicago and Styx rock Austin

  • Nettspend "sober"

    Nettspend returns “sober”

  • Remi Wolf drops new single & video “Twiggy”

  • La La Land composer Justin Hurwitz reimagines “Mia & Sebastian’s Theme” with a dreamlike touch for its 10th anniversary

  • BADSQUATCH releases new single + Video “Nakupenda”

  • Alternative hardcore band Chico release debut self-titled album through New Morality Zine

  • American Football sells out Turner Hall in Milwaukee at the end of their summer tour

  • Outside Lands 2026: recap and review



OPINION



  • Laura FM channels early 2000s pop rock nostalgia on “Pandora’s Box,” reimagining myth through a modern indie pop lens

  • Jeff’s Friend Jack Unleashes “Legacy Dude,” a razor sharp banger for those in the system that hates it

  • “U CAN’T CONTROL ME” signals a defiant new beginning

  • 3lake paints a luminous cycle of change on “Seasons,” an ethereal meditation on time and transformation

  • Kaia Fincher reimagines “Something New” with hypnotic, club ready remix

  • Labrador Labratories releases “Sweet Salvation”

  • Nordstahl releases a dark ballad “The Nameless Hour”

  • Pick Up Goliath releases “Rise of the Machine”

  • Tg Jaylawn releases “Sunlight”

  • Red Skies Dawning releases “Shipwrecked”

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  • Simple Plan and friends threw a party at Jacobs Pavilion

  • Empire of the Sun Red Rocks Colorado

    Empire of the Rocks

  • George Thorogood & The Destroyers stop in at the RT 66 Casino

  • Interviews by Uma: One Time Weekend

  • Three pianos, three eras, one more dream come true: Andrew McMahon brings his career-spanning celebration to Philadelphia

  • Poppy Constantly Nowhere tour arrives to LA

  • Avenged Sevenfold UBS Arena

    Avenged Sevenfold and Good Charlotte live at UBS Arena

  • Five Finger Death Punch shows Ohio they can still rock it after 20 years



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